To those still reading this: You are a Saint
Do you hear that? Yes, that is the sound of crickets. I know it has been awhile. I have been shuffling through my Rolodex of excuses and I have found a good one. I am writing a book. No, I am not lying. It might turn out to be a large pamphlet or perhaps a typed, double-spaced page with generous margins but I am going to call it a book. As long as my acknowledgment page doesn't contain more text that book itself I should be okay.
Anyway, to prove that I am not lying I have attached a little section. This may or may not be all that I have written in the last two months. I am not going to say. Disclaimer: It is quite obvious that I need an editor. My working title is: '101 Misuses of the semicolon'. Just a warning. Here ya go:
Cattle were an inherent evil on the farm. To an eight-year-old they were a source of fear and trembling. After reading the book of Revelation I concluded that the Four Horsemen of the Apocalypse should come riding in on a quartet of Texas longhorns. I was willing to forfeit my entire Lego collection for a complete set of knight’s armor whenever my cow herding skills were called upon. The neighbors would have wondered why Sir Lancelot was attempting to club ol’ Bossy with a medieval mace but I would have felt better about my chances of making it out alive. My dad always told me they were not violent animals but I knew they were gunning for me. I could see it in their eyes. I would have boycotted the entire farming operation had my parents chosen to get milk cows. If they expected me to sit next to a thousand pounds of beef and start yanking on its milk handles it was obvious that I had not made my position on livestock as clear as it needed to be.
I was constantly annoyed with filmmakers for portraying cattle as genial and submissive animals. Just as every action flick pictured fast cars careening around corners at breakneck speed so every western had a handful of rugged cowboys guiding a herd of black angus down a steep ravine using some form of animal telepathy. The ease at which the cowboys were able to control the herd was just disgusting. I wanted to send a pointed letter to every filmmaker who had ever made a western.
Dear makers of western films:
I know you are probably a very busy person. Making movies must take a lot of your time. I have never made a movie but I once put on a magic show for my family. I was eventually demoted to assistant magician because of artistic reasons. (I am still bitter about that but it has nothing to do with you.) I am writing this letter since you seem completely uniformed when it comes to livestock. Here are a few tips. First of all, farmers do not use horses and if we did they would most likely be fourteen-year-old Shetland Ponies. Secondly, your cowboys have no weapons. Of course they have that rinky-dink rifle that looks a lot like my bee-bee gun but let’s be honest; you might as well have a squirt gun filled with ketchup when a raging bull is on your tail. Here is what needs to happen: the actors must spend the first half hour of the movie searching for the biggest stick or tree trunk that is still maneuverable. This is my strategy so if one of those sacks of beef comes anywhere near me I can 1) rain down blow upon blow until I pound the beast into submission or 2) run like the devil is chasing me. Thirdly, we never wear boots and spurs and chaps. My galoshes are a few sizes too big and my coat is a few sizes too small since it was my winter coat from three years ago. If I am lucky I might find a piece of Halloween candy in the pocket. You would do better to name your movies: ‘The Day the Cows Got Out and Ruled the World’ or ‘Cows and Hand Grenades: The Final Showdown’. Thank you. I hope this helps.
Sadly enough I never sent this letter.
Occasionally I would see one of those nature shows on TV about wild animals in Africa. It was always the same scenario: a leopard or lion or cheetah chasing some helpless animal. It was usually a baby gazelle or something I had never heard of. Being someone who lived in fear of a larger animal I felt a connection with the gazelle. I wanted those nature shows to do a feature on wild animals of the Midwest. The scene would open with a herd of rabid cows chasing a class of second graders through a cornfield. Depending on the speed and agility of the children the scene would end with either a class pizza party or a vacant cornfield festooned with backpacks and empty lunch boxes. The audience would wonder what a knight’s helmet was doing among the backpacks but then the camera would fade.
The first time I saw a cow give birth will be forever emblazoned upon my retinas. What came out looked nothing like the pretty calves you might see on a postcard saying ‘Greetings from Wisconsin’. It looked more like a bag full of cow parts. I could make out a couple of legs but I was certain that somewhere in the cow making process the step entitled ‘put cow together’ was skipped completely. I was going to suggest that we stuff it back inside for a few more days since it obviously was not done. But then it stood up and gave me a look that said, “give me a few days to get my bearings then I’ll be gunnin’ for you too”.
And that's it for now.
